I am engaged in a vital and ever-changing relationship with the world around me. I cultivate on canvas a pictorial and cinematic understanding of my own visual thought process. The use of anachronistic elements in my work is part of a wider vocabulary that includes social pressures, propaganda, advertising, assumptions and expectations both personal and professional. I employ a language of sensuality, fear, violence and romance with an intuitive understanding of the underground establishment to ask provocative questions of modern culture, mythology, fairy tales, theology and various systems of belief. I use the viewer's memory within the deluge of everyday life to connect the individual with the collective. My paintings are charged with multiple narratives that challenge the viewer to question their own motives.